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White has been ignored in histories of the modern novel, probably on the grounds that he is essentially a fabulist. Certainly the tetralogy -- The Sword in the Stone, The Queen of Air and Darkness, The Ill-Made Knight and The Candle in the Wind -- is based on the most enduring British fable, that of King Arthur and his knights, and the approach is closer to fairy tale than, say, Tennyson's Arthurian cycle, but (while Walt Disney's The Sword in the Stone stresses the magic) the stage and film musical Camelot convinced many that here was a story of real people. I insist that this ambitious work is a true novel, with rounded characters, credible events, and realistic dialogue.In the first segment White has schoolboyish fun with the boy Arthur under Merlin's tutelage. There is deliberate anachronism: knights of the dark ages speak like this: "You don't say he's comin' down to hunt with those demned hounds of his or anythin' like that?" and there is port after dinner (a disguise for mead) and talk of Eton and Harrow. White's aim is, in a sense, to unscramble the fabulous and bring the story closer to our own time. In The Queen of Air and Darkness the anachronisms are very bold, and Merlin says: "The link between Norman warfare and Victorian fox-hunting is perfect." But the story of King Arthur's campaigns is scholarly enough, and Lancelot -- the Chevalier Mal Fet -- is well-drawn and attractive. His adultery with Guenever is presented delicately, tenderly, but with a quiet undercurrent of necessary guilt. When, at the end of the story, it is "Lancelot's fate and Guenever's to take the tonsure and the veil, while Mordred must be slain", we hear from Arthur's unspoken thoughts a message for our own age -- a curse on nationalism. "Countries would have to become counties -- but counties which could keep their own culture and local laws. The imaginary lines on the earth's surface only needed to be unimagined. The airborne birds skipped them by nature." Man has to learn to be a better animal. This is not remote and fabulous history: the lesson of the breaking of the Round Table is for our time.

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It was useless to reason with him. Culver let him go on until he had exhausted his bitter spurt of hatred, of poison, and until finally he lay back again with a groan in the weeds—only a moment before the cry came again: "Saddle up! Saddle up!"They pushed off once more. It was just a bit easier now, for they were to walk for two miles on the highway, where there was no sand to hinder their steps, before turning back onto the side roads. Yet there was a comfortless feeling at the outset, too: legs cramped and aching from the moment's rest, he walked stooped and bent over, at the start, like an arthritic old man, and he was sweating again, dry with thirst, after only a hundred yards. How on earth, he wondered, gazing up for a second at the dim placid landscape of stars, would they last until the next morning, until nearly noon? A car passed them—a slick convertible bound for the North, New York perhaps—wherever, inevitably, for some civilian pleasure—and its fleet, almost soundless passage brought, along with the red pinpoint of its vanishing taillights, a new sensation of unreality to the night, the march: dozing, shrouded by the dark, its people seemed unaware of the shadowy walkers, had sped unceasingly on, like ocean voyagers oblivious of all those fishy struggles below them in the night, submarine and fathomless.They plodded on, the Colonel pacing the march, but slower now, and Culver played desperately with the idea that the man would, somehow, tire, become exhausted himself. A wild fantasia of hopes and imaginings swept through his mind: that Templeton would become fatigued, having overestimated his own strength, would stop the march after an hour or so and load them on the trucks—like a stern father who begins a beating, only to become touched with if not remorse then leniency, and stays his hand. But Culver knew it was a hollow desire. They pushed relentlessly ahead, past shadowy pine groves, fields dense with the fragrance of alfalfa and wild strawberries, shuttered farmhouses, deserted rickety stores. Then this brief civilized vista they abandoned again, and for good, when without pause they plunged off again onto another road, into the sand. Culver had become bathed in sweat once more; they all had, even the Colonel, whose neat dungarees had a black triangular wet spot plastered at their back. Culver heard his own breath coming hoarsely again, and felt the old panic: he'd never be able to make it, he knew, he'd fall out on the side like the old man he was— but far back to the rear then he heard Man-nix's huge voice, dominating the night: "All right, goddammit, move out! We got sand here now. Move out and close it up! Close it up, I say, goddammit! Leadbetter, get that barn out of your ass and close it up! Close it up, I say!" They spurred Culver on, after a fashion, but following upon those shouts, there was a faint, subdued chorus, almost inaudible, of moans and protests. They came only from Mannix's company, a muffled, sullen groan. To them Culver heard his own fitful breath add a groan—expressing something he could hardly put a name to: fury, despair, approaching doom—he scarcely knew. He stumbled on behind the Colonel, like a ewe who follows the slaughterhouse ram, dumb and undoubting, too panicked by the general chaos to hate its leader, or care.At the end of the second hour, and three more miles, Culver was sobbing with exhaustion. He flopped down in the weeds, conscious now of a blister beginning at the bottom of his foot, as if it had been scraped by a razor.Mannix was having trouble, too. This time when he came up, he was limping. He sat down silently and took off his shoe; Culver, gulping avidly at his canteen, watched him. Both of them were too winded to smoke, or to speak. They were sprawled beside some waterway—canal or stream; phosphorescent globes made a spooky glow among shaggy Spanish moss, and a rank and fetid odor bloomed in the darkness—not the swamp's decay, Culver realized, but Mannix's feet. "Look," the Captain muttered suddenly, "that nail's caught me right in the heel." Culver peered down by the glare of Mannix's flashlight to see on his heel a tiny hole, bleeding slightly, bruised about its perimeter and surrounded by a pasty white where the band-aid had been pulled away. "How'm I going to do it with that?" Mannix said.The Colonel squatted down and inspected Mannix's foot, cupping it almost tenderly in his hand. Mannix appeared to squirm at the Colonel's touch. "That looks bad," he said after a moment, "did you see the corpsman?""No, sir," Mannix replied tensely, "I don't think there's anything can be done. Unless I had a new pair of boondockers.The Colonel ruminated, rubbing his chin, his other hand still holding the Captain's foot. His eyes searched the dark reaches of the surrounding swamp, where now the rising moon had laid a tranquil silver dust. Frogs piped shrilly in the night, among the cypress and the shallows and closer now, by the road and the stagnant canal, along which danced shifting pinpoints of fire—cigarettes that rose and fell in the hidden fingers of exhausted men. "Well," the Colonel finally said, "well—" and paused. Again the act: indecision before decision, the waiting. "Well," he said, and paused again. The waiting. At that moment—in a wave that came up through his thirst, his throbbing lips, his numb sense of futility—Culver felt that he knew of no one on earth he had ever loathed so much before. And his fury was heightened by the knowledge that he did not hate the man—the Templeton with his shrewd friendly eyes and harmless swagger, that fatuous man whose attempt to convey some impression of a deep and subtle wisdom was almost endearing—not this man, but the Colonel, the marine: that was the one he despised. He didn't hate him for himself, nor even for his brutal march. Bad as it was, there were no doubt worse ordeals; it was at least a peaceful landscape they had to cross. But he did hate him for his perverse and brainless gesture: squatting in the sand, gently, almost indecently now, stroking Mannix's foot, he had too long been conditioned by the system to perform with grace a human act. Too ignorant to know that with this gesture—so nakedly human in the midst of a crazy, capricious punishment which he himself had imposed—he lacerated the Captain by his very touch. Then he spoke. Culver knew what he was going to say. Nothing could have been worse.